The Marvel Cinematic Universe meets the horror of Doctor Strange in the Multiverse of Madness. Directed by Sam Raimi – his last trip to the world of superheroes Spider-Man 3 – from Michael Waldron’s screen game, Doctor Strange 2 is amazing. It has the courage to do what other MCU films do not have, to elevate its effects and cinematography in a divisive and predictable way. The sequence of action is fun and, combined with the visual style of the film and the terrifying features, goes well enough, though the personal journey is lacking.
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Doctor Strange In The Multiverse of Madness (2022) Movie Review
Drs. Stephen Strange (Benedict Cumberbatch) has strange dreams, seeing America Chavez (Xochitl Gomez) and his version with horses running to something and far away from the fearsome beast that chases them. What Dr. Strange quickly realized was not a dream at all; what he is experiencing is completely different from the rest of the universe. It did not take long for the Witch and Wong (Benedict Wong), now the Supreme Witch, to meet America in their own world.
She is chased by creatures that serve a man who tries to steal her power, allowing him to move through all the different dimensional. She joins Wong and Dr. Strange, who are trying to recruit Wanda Maximoff (Elizabeth Olsen), now a Scarlet witch, as they work to obtain the Book of the Vishanti, a powerful magic book that can allow them to establish their new enemy before the meeting. varieties are included in any risk.
Emotionally, the Strange Doctor of All Circumstances leaves a lot to be desired. Dr. Smanga is often asked or wondered if he is happy. A practical question, but the problem is that Stephen Strange’s poles – at least more than he is a hero – do not exist because the original film failed to stop these things and the MCU did not do a good job of following. about his line of emotions. Dr. Strange 2 would like the audience to believe that the witch really regrets not doing enough to save her relationship with Christine, a regret he seems to have throughout the movie.
But it would be much more emotional if the MCU had better laid its foundation. It’s shrug here than anything big, it doesn’t have the depth and feeling needed to sound. The same goes for the arc of America Chavez. Although the actor finds good scenes that show what she really can do, the American story has changed briefly, with most of his background stories being postponed to a single fast-paced scene. While not a difficult moment, the sequel moves quickly in an effort to transcend its system, leaving everyone’s character development along the way.
Dr. Strange in Multiverse of Madness is a Wanda show, an extension of a story that started on WandaVision. She has come a long way since Avengers: Age of Ultron and this movie shows the magnitude of her power, grown from the end of her Disney + series. How she really uses them and why they will delight the audience, though her actions here are better understood by watching WandaVision first.
Unlike the other characters, however, Wanda’s story comes in full force and Elizabeth Olsen gets a lot of collaborations with her about providing emotional performance. Worse, Rachel McAdams gets more to do with this movie as Christine Palmer than she did last, which is to use her refreshing and better skills.
Apparently, the movie takes things to another level. Raimi is looking for scary scenes that are simply beautiful, elevating the film from a variety of corny trips to a scary and specific adventure. Another scene sees America, Dr. Strange, and Christine standing, waiting before the shadow passes and a man, full of blood and anger, appears, in front of them. A good time to skip again scenes like these that help create tension throughout.
Definitely a Sam Raimi movie about that. Cinematic artist John Mathieson did some good work in a variety of ways, distinguishing each world from the others in bright pops or dark gray, solid in areas that have seen better days. The scene that sees America and Dr. Strange going through a variety of sizes is beautiful, giving the audience a taste of what is there in a different way. Although the multiverse makes for a great playground, it still does not feel like it is fully utilized. It’s as if Marvel wants to play in a variety of sandboxes without putting too much risk or getting into it completely.
Doctor Strange in the Multiverse of Madness is absolutely strong, if not to change the game. The movie is so focused on its plot that it forgets to give the actors save Wanda any real development. The movement moves faster and, although not a boring time, there are a number of points where the story could be narrowed down to allow for the building of more relationships between the characters.
It’s a big weak point in a movie that could be worked out in any other way. The following presents enough information to improve the future of the MCU while telling a story that is almost a conclusion, but which makes Doctor Strange 2 different from its aesthetic and awesome features, which makes the happy Raimi decide to handle it.
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