“Ultrasound.” Everyone loves a mysterious mystery, especially the wearing of high-sounding science fiction that tests memory, capitalism, and unjust forces. Rob Schroeder’s Ultrasound emerges as a thrilling puzzle box game, and an almost unresolved Russian doll with endless layers, capable of keeping the audience at the edge of their seats for the most part. Typically unbearably hot, Ultrasound uses its high-brow sci-fi concept easily, while other unanswered strands can create a frustrating clock.
Ultrasound Movie Review
Ultrasound opens up in a conversational way, where a man named Glen (Vincent Kartheiser) is trapped in the street while giving birth. Unbeknownst to him, something was hitting him under the feet – spikes were placed directly on the road to pierce his tires. Seeking shelter in a house that is only miles away, Glen is at the mercy of strangers Art (Bob Stephenson) and his wife Cyndi (Chelsea Lopez), who is extremely friendly.
Glen, of course, is very clever enough to recognize these symptoms and end up drinking very little with Art, and somehow he is rumored to have sex with Cyndi after being constantly encouraged by Art. These narrative options seem completely uncommon, as they appear as Glen’s detailed plan to track Glen in pregnancy, but this is where Ultrasound begins to unleash its many, many layers.
Glen is an outspoken spectator, unable to analyze the plot around him, and the news gets complicated when Cyndi becomes pregnant shortly thereafter. However, things get sour as the film progresses: a group of scientists whose research directly involves Glen and Cyndi, though the two are never intellectual, Art is not what he calls himself, and the great politician, who is also happening.
Senator, indulging in a dangerous game linked to the central mystery. The puzzles are deep, providing clues to the answers and what they may have been, but Ultrasound is always able to reverse the expectations while providing a labyrinth for the viewer to solve on their own.
It is not uncommon for a sci-fi donation to go the wrong way if you focus on concepts such as mind control, mental addiction, secret government functionality, and the disapproval of the human mind that you often find in these situations. Ultrasound is undoubtedly committed to trying to tackle so many superstitious ideas, and it succeeds in creating the mystery of a solid, scary puzzle, though the correction can be frustrating.
However, the film introduces new characters, new inspiration, and unexpected twists of good quality, especially with the involvement of researcher Shannon (Breeda Wool), who plotted a remarkable plot in the second half.
While Ultrasound does not have the narrative and explicit narratives of films like Antonio Tublén’s LFO, featuring the same themes with the most surprising results, Schroeder’s film has its own set of merits that should be noted.
While the protagonists did a good job of selling the complex story to the end, it was Stephenson and Wool who stand out – two people with conflicting motives, who have never met on screen, are able to keep the film from turning into a fake scene.
An important feature of Ultrasound is its sound-absorbing design, which is fully compatible with the concept of sound frequencies used for stable concentration depending on the structure. The ultimate result of Ultrasound is truly exciting, revealing a sci-fi mystery that challenges the viewer’s view of reality, and what it means to be compassionate.