“Ten Year Old Tom.” An easy way to review Steve Dildarian’s new animated jokes for HBO Max would simply be to say that if you’re a fan of Dildarian’s Ten Year Old Tom, you’ll definitely enjoy Ten Year Old Tom.
Ten Year Old Tom not only became a curiosity about religion when it was broadcast on HBO but – and is preparing to feel older, Tim’s fans – it’s been almost Ten Year Old Tom since the series ended. And it only came to HBO Max.
So I think I’ll start over from Ten Year Old Tom (I sincerely apologize to any copy editors for the lack of hyphen in the official title). It is a fascinating dry, mature children’s series about children but not children, that can grow the package of Dildarian devotees.
Ten Year Old Tom Season 1: Overview
Our hero here is Tom (Dildarian), a 10-year-old at an astonishing rate in New Jersey Elementary School and a loving mother (Edi Patterson) who has yet to face the sudden departure of Tom’s plumbing father. Tom’s friends include his school bus friend Nelson (Byron Bowers), a mature adult future manager, and Dakota (Gillian Jacobs) with the same ambition, whose mother (Jennifer Coolidge) doesn’t like Tom very much. Ten Year Old Tom.
A bassoonist in the health orchestra, Tom is often used as a teenager by various adults, be it the school principal (Todd Glass), the tired bus driver (Ben Rodgers), or the school’s goal-setting teacher, an additional mentor, and a supervisor. B (John Malkovich).
With two stand-alone episodes per episode – such as The Life & Times of Tim – a series of unfortunate incidents unfold, ranging from regional spell bees to various attempts to raise money and a trip to Boston for a baseball game. In general, there is nothing wrong with Tom.
The thing you need to understand about Dildarian’s key characters – and Tom could be the new type of Tim, who eventually changed his name after a typo he wasn’t so confident he could fix – is that they have basically good intentions, good and bad intentions, but often can’t see past results of any kind.
So a common scenario for Tom involves a senior official urging him to do something morally wrong for some reason, Tom suggesting that it is probably not a good idea to go with it anyway, in search of a successful argument. Ten Year Old Tom.
That is the key: Tom (like Tim) is not smart, but he is not and completely innocent. He is just a simple man with a lot of shyness but limited resistance; you know enough to say that a bad idea is a bad idea while lacking a way to raise more than to contradict the question. Maybe that’s why Tom seems to be looking at the camera, waiting for someone to step in and prevent the inevitable descent.
Dildarian tone and visual acuity – directed all eight episodes posted to critics and wrote or rewrote most of them – dried and dried. It’s a limited time, but it’s never been a joke or a joke. Tom, like Tim, is completely honest and sincere. Or he is about to do something that everyone knows is stupid, he is puzzled as the viewers may not be the ones giving the voice of thought.
You will always be on the lookout for Ten Year Old Tom, but the great joy of the small clip structure, with its loose continuity, is that you don’t have to worry that well-planned illegal activities will last too long. It’s one of the few things that keeps the Dildarian worldview from feeling like Stopping your passion, a very dark treatment for unintended consequences.
Having this type of Dildarian be a grade student puts some thought into his or her choice and the way the adult characters use him or her. It’s easy to empathize with him because he’s a victim of adults who have their own agendas, while Tom’s plan is usually simpler – it helps pay off the electricity bill, or avoid a repeat of a school play incident last year when he attacked and pressed me at the same time.
Does this make Tom Big Ten less fun than Tim’s Life & Times? Probably, because the folly is too little, and the depth of the circumstances in which it occurs is limited. (Ten Year Old Tom) But there is also the excitement that Life & Times of Tim has not always been able to achieve.
With the exception of Dildarian, who has his amazingly varied cold monon, the singing of the voices here is delightful, starting with Malkovich, who would have been chewing everywhere if there were no cartoons. Patterson is coarse-but-loving, Glass is authoritative-but-sad, and the repartee where Bowers, Jacobs, and Dildarian meet in a childish way is charming and funny.
The remarks of independent guests were led by Mark Proksch as the father of the Dakota opposition, David Duchovny as the undisputed ice cream man, George Wallace as the successful father of Nelson, and Timothy Simons as the famous photographer of the yearbook.
Some stories formed at a high level of chaos, others probably came out (an episode of Fenway Park was probably my biggest disappointment). Some produce just smiles while others produce constant laughter (episode seven, which includes skipping school and elections, shines twice). Ten-year-old Tom is worth a look. Ten Year Old Tom.
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