The horror of We Need To Do Something is a rarely used form in general, as it allows all people’s fears of the unknown to flourish in unexpected ways. Sean King O’Grady’s first feature, We Need to Do Something, is based on the well-known novel by Max Booth III, which sets out the horrors of family life, which are pushed to the edge when lifted within the boundaries of one room. Not thinking that it is its own power, We Need To Do Something is a terrible survival that is caught in its own traps of pride.
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We Need To Do Something Horror Movie
Opening with a shotgun in a ruined city full of green leaves, We Need To Do Something closes the family of four on the brink of a massive storm together in their open, downtown bathroom. Dressed in a distinctive dress, a pink ornament that adorns her eyes, teenage Melissa as Sierra McCormick seems to be constantly on the lookout for her schoolmate Amy as Lisette Alexis. (News)
His younger brother, Bobby as John James Cronin finds solace in family safety, while his parents Diane (Vinessa Shaw) and Robert as Pat Healy indulge in a return of resentment that is getting worse and worse. As the thunder roars outside, tensions arise between the already weakened family forces, which are often intensified by an invisible, unknown threat.
Right from the bat, We Need To Do Something’s vision reflects the undisclosed concern of the epidemic, especially the prospect of confinement within a limited space, the outside world poses a huge, unknown threat that is not immediately apparent to everyone.
O’Grady did an excellent job of capturing this great uncertainty, creating doubts and concerns about offscreen sounds and the great power of suggestion. However, in spite of these clever methods, the account of We Need to Do Something lacks seriousness, as some of the fears mentioned appear to be unfounded and exaggerated.
Interestingly, the story begins to unravel over time, revived by the hex created by Melissa and Amy, which opens a web of horrors beyond human comprehension, and reveals something dirty in the world. While the hex is in the middle of a mythical event, the details and personal motives remain vague and well-baked. In the paper, Amy is an interesting character, a solitary, mysterious person who fights against her demons, while working with Cotard Delusion, a plot point that could be corrected with great sensitivity.
Robert, on the other hand, proves to be very unstable in this situation, making the ropes of bad decisions as a parent, especially when he tries to force Bobby through an unfamiliar toilet door. Ozzy Osbourne’s Black Sabbath demonic dog is also thrown out of the screen, immediately followed by an incident in which the family participates in eating meat in an almost irrelevant way.
We Need To Do Something Undoubtedly includes a cold sequence of bones, full of commendable special effects and an unexpected twist of narrative. However, in spite of everything, the film fails to pack a punch or make a meaningful impact, and a quick narrative mode works to add to the disappointment.
McCormick delivers a powerful performance as the screaming Melissa, a teenager bound in chains and anxiety, is unable to express the grim significance of events happening everywhere. All the other actors play their part well, introducing a sense of balance between strong hope and shocking failure, filling the film with a cadence that works for the most part.
Perhaps, the emptiness of We Need To Do Something is the fact that it mimics the best parts of fear with Lovecraftian without really understanding it. Eventually, Melissa and Amy discover a strange combination of stereotypical mud, as their mental patterns are not planted in-depth or by definition, robbing the film of reality that pretends to be invisible.
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