The exterior of the Olympus E-M5 Mark III is basically plastic – a solid, composite type, not anything soft. A change from the outside of Mark II’s outer magnesium alloy, however, will shake some feathers. Weather marking is better, however – the camera has an IPX1 protection rating, so you can use it when it rains, assuming your lens is safe. Know about Olympus E-M5.
Olympus E-M5 Mark III Camera Review
For sale in black or silver versions – we got it for silver for review. The body measures 3.4 by 4.9 by 2.0 inches (HWD) and weighs 14.6 ounces apart from the attached lens. The handgrip is very modest. This is the body I recommend you use with a little closer or with the first lens. If you often use larger lenses, such as the one in the Olympus Pro series, consider the larger Olympus E-M5 Mark III or the E-M1X instead.
The Olympus didn’t put light on the body, but it does have a normal hot shield and it goes with another small external one, the FL-LM3. The flash is powered by the body, so you don’t need to mess with the batteries, and can point upwards to insert soft, indirect light into indoor scenes. You can buy the camera alone, suitable for photographers who already have a number of Micro Four Thirds lenses
The Olympus E-M5 is a mirrorless camera – the one that drops the leaking mirror and the visual view mirror. An electronic viewer (EVF) viewer displays a view from the lens as the sensor detects and shortens the distance between the metal mount and the sensor.
Olympus E-M5. The sensor and lens mount are Micro Four Thirds, a format with a 4: 3-factor ratio and a smaller size around APS-C and complete frame designs. It means that many lenses are integrated, but do not offer as much field depth as those of large sensors. Olympus E-M5 has large lenses with f / 1.2 designs to overcome this, but using them makes the Olympus E-M5 decide to be smaller.
Pixel count is not as high as its competitors. With a lot of shooting, 20MP is a lot, though. If you specialize in landscapes, there is a multi-shoot mode that moves the sensor to a 50MP resolution, but you will need a tripod and static header to make it profitable.
The Olympus E-M5 Mark III has automatic mode but is actually designed for photographers who want a certain level of manual control. Its body is packed in pits with diaries and buttons and games a visual interface on the screen to add. Many buttons can be customized, so you can really tune the Olympus E-M5 to manage the way you want.
One front button, next to the hold, previews the depth of the field automatically. On top of that, you’ll find the On / Off button, Drive / Self-Timer, and display buttons on the left side of the hot shoe. Mode dialing, with push-button lock, is right-handed, with front and rear control dialing, shutter output, and two buttons, one compensation EV, and Record to start and stop video capture.
The ISO button is displayed above the rest of the back thumb. On the left is a 1/2 toggle, which is used to change the functions of two control diamonds or focus settings, and the AE-L / AF-L button. The Menu, Info, Play and Delete buttons are under six pauses, arranged in a set around a four-sided pad. The OK button is in the center.
The solid space between the LCD and under the thumb does not leave much space. I would prefer a small eight-way control instead of a four-way directional pad because it is a bit confusing to move the focus point without direct adjustment. If you prefer, the touch LCD can serve as a control point to move the focus area as well, but it is not automatically turned on.
OK displays the Super Control Panel, a set of on-screen options that you can use using a d-pad or touch. You change focus modes, video quality settings, color settings, and more. There are many options, but you can’t customize them. Fujifilm and Sony both have the same menus, but give control over which functions are included.
The LCD touch is a 3-inch panel. It is sharp, has 1,040k dots, and is light enough to use without stress. It is mounted on a hinge-angle hinge, so it can protrude from the side to face forward, up or down. If you choose to use full-time EVF, the screen can be face-to-face, and it can be used to protect it during travel.
The viewer is OLED with 2.4 million dots. It’s fun, shows good mobility, and is compatible with competitors in size, with a magnitude of 0.68x. I have a few complaints; EVF will showcase your processing settings, including the black and white look, as well as the wide depth of Instagram-style Art filters found inside the camera.
The Olympus E-M5 Mark III uses a different battery than the first included in the series. Switching to a BLS-5 pocket, for a smaller volume. The camera is limited to approximately 310 photos per charge, lagging slightly behind the Fujifilm X-T30 (380 photos) and Sony a6400 (360 photos). Internal camera charging is available, but via a micro USB port, there is a new USB-C interface. There is one UHS-II SD memory card slot.
Other connections include a PC Sync port, which works well for wireless photographers to start camera light, a Micro HDMI connector to a field recorder, a 3.5mm microphone input, and a 2.5mm remote control. There is no headphone jack, however, so you will not be able to monitor the sound when recording a video. Olympus E-M5.
Bluetooth and Wi-Fi built-in. The camera works with the Olympus Image Share app, free Android and iOS downloads, file transfers, and remote controls. It is useful for sharing on the go on social networks, and the remote control function displays a live view from the lens on your phone screen, a step beyond the basic wireless shutter release.
The Olympus E-M5 Mark III starts and focuses quickly. It is able to take a picture within 0.7 seconds of investigation on a power switch. Autofocus detection is also fast, about 0.05-second, in line with its competition.
The sensor adds a focus to phase detection, which is not present in Mark II. But the benefits are not as obvious here as we have seen in our competitors. Continuous shooting is available at 10fps with a mechanical shutter and 30fps with an electronic shutter, but in both cases, the focus and exposure are locked during the first shot – they are not suitable for moving stones or changing light.
Blast rate is cut in half, up to 5.3fps, if you want to focus on all shots using a mechanical shutter. We’ve seen a few shots that didn’t catch well in our focus test, but the camera got the next one in sequence. It does better with an electronic shutter in its Pro Capture Low mode – focuses on all shots at 10fps, and provides sharp results in all of our tests. But rivals are doing better – the Sony a6400 (11fps) and the Fujifilm X-T30 (8fps) both shoot faster with mechanical clocks, with excellent accuracy.
There are many focus areas available, including a wide area with face and eye detection support. You can select your point, or group of points, or switch to tracking mode that identifies the topic and we follow it. Olympus E-M5.
The shooting bar is a little shorter – you get 25 shots at 30 or 10fps before the capture rate drops. Descending to 5.3fps mechanical shutter mode extends up to 45 shots of Raw or JPG capture shots. The buffer clears up quickly, in about six seconds when using the 300MBps Sony Tough UHS-II memory card.
The Olympus E-M5 Mark III sports a 20MP Micro Four Thirds format sensor included in the five-axis reinforcement system. It works well — you can hold a 1-second shot at wide angles if you care, and I was able to get sharp results with a 1/30-second exposure and a 200mm lens consistently.
The camera takes pictures in JPG or Raw format. If you are using the past, expect full details from ISO 200 to 800. Image quality takes a step backward starting at ISO 1600, where fine lines are slowed down, but the results are still quite good with ISO 3200. Pushing the camera to ISO 6400 brings some blurring, and worse to ISO 12800 and 25600.
Raw photography kills camera noise reduction, removing the load from your raw software. When looking at test images in Adobe Lightroom, the E-M5 Mark III sensor nets specify details all the way through the ISO 6400, even if there is some grain. Data suffers when you press ISO 12800 and 25600.
If you prioritize image quality in the highest ISO settings, the APS-C camera will have the best results. But if you want one that offers a physical stability program, you will need to budget it. Sony a6600 ($ 1,400) and Fujifilm X-T4 ($ 1,700) are both high prices. Olympus E-M5.
Olympus includes some features that its competitors can offer, however. With the E-M5 Mark III, you get Live Composite and Bulb, features that show you a preview of your exposure image as long as it’s done, and a multi-screen capture mode of 50MP. It doesn’t go as far as the award-winning series, E-M1 Mark III and E-M1X, however; those cameras extend multiple shot shots to portable use and add live ND mode for long-distance photography without the need for a neutral density filter.
There are also many camera filters available if you want to shoot photos with some art form. The art set offers many looks, including black and white, bleach passing, the selected colors, and more. Raw photography is available when using art mode, so you are not locked out of a single processing option. If you use Raw, you can also create an image with any filter from the playlist, a nice touch.
The Olympus E-M5 Mark II supports 4K UHD capture at 24, 25, or 30fps and 102Mbps bandwidth. You can choose 17: 9 DCI too, but only at 24fps, at a rate of 237Mbps. Profiles of various colors are available, including standard, clear, and black and white. There is no true Log profile, but there is a flat, completely different look found with the infamous Picture Mode option, buried in the menu.
There are some complaints like the voting camera – the front screen, microphone input, and the stabilization system are all too much. Competitive cameras from Panasonic, including the G9 and GH5, offer a more powerful feature for sensitive video work and use similar Micro Four Thirds lenses.
The original Olympus E-M5 was the bellwether for the Olympus bellwether. Introduced to modern, retro-inspired building philosophy, and it was its first mirrorless model with EVF built-in. Mark II introduced advanced shooting mode and was the first to install Live Bulb and Composite modes.
Mark III does not offer any new, innovative features. Instead, it gets what is offered in the E-M1 Mark III and E-M1X, which brings many, but not all, features to the smaller, less expensive model. It is supported by a large swath of Micro Four Thirds lenses, including excellent zoom and small primes.
There is something wrong, though. To get a really shallow field depth, you will need to reach the maximum primes off / 1.2. At present, APS-C and full-frame cameras are able to blur the backgrounds without the use of very bright optics, and often have more resolution and higher images when pressing the sensor excessively. Olympus E-M5.
The Olympus E-M5 Mark III does not do enough to move the needle to recommend it to photographers who have not yet invested in the system. A good camera, but not offering the same level of image quality, video features, or autofocus acumen as competitors. The Sony a6400 and Fujifilm X-T30 are less expensive and work better, though you will miss out on the enhanced sensor and, in the case of the X-T30, prevent dust and crash.
To top it off, Olympus E-M5 Mark III, with two memory card spaces, a solid build, and a larger battery of about $ 1,800, while Fujifilm has its two slot, stable X-T4 for $ 1,700. Both models are scheduled to be shipped this spring. The Sony-certified a6600 is now on sale for $ 1,400, but it doesn’t have solid support or dual memory card support. Olympus E-M5.