Do the Right Thing ’1989 comedy-drama by Spike Lee focuses on an area where racial tensions between its American and Italian citizens are getting worse and worse. Set on a hot summer day inside a certain area, the film offers a magnified and appropriate look to the social and political atmosphere of the race season. A major public comment given the film’s explosiveness has confirmed its place in history and makes it a regular feature in the list of the biggest Do the Right Thing movies.
Do the Right Thing Movie Filming Locations
Do the Right Thing film, set on Big Apple, was shot entirely in the New York City area. A few sets are built in place, but the location is left unchanged for recording. Spike Lee, a filmmaker, director, and producer, reportedly hired security guards from the Nation of Islam to provide security, who were also charged with boarding abandoned homes in the area to prevent drug traffickers from roaming the area. The recording seems to have taken place between July 18, 1988, and September 14, 1988. Let’s take a closer look at some of the recording sites used.
Do the Right Thing film was set and shot in full on Stuyvesant Avenue in the Bedford-Stuyvesant area of Brooklyn, New York. The recording took place on the side of the road between Lexington Avenue and Quincy Street. The film is so historic that in its 25th year of 2014, part of Stuyvesant Avenue was renamed Do Right Thing Way.
The film’s central character, Mookie, is shown living with his sister in a brownstone house actually located at 173 Stuyvesant Avenue, on the corner of Quincy Street. His landmark interview, about the title of the film, was recorded at 169 Stuyvesant Avenue.
The filming of the house of Mama-Dade, an actress who watches everything that happens in the area, took place at 167 Stuyvesant Avenue, and Yes Jesus Baptist Church used the apartment at 184 Stuyvesant Avenue as a stand. The false front seemed to be added to the recording studio.
The brand also used 174 Stuyvesant Avenue to feature DJ Mister Señor Love Daddy’s (Samuel L. Jackson) radio station. The vibrant painting seen in the film is said to have been painted next to a building on 157 Stuyvesant Avenue.
The pizzeria that played a major role in the climax of the film and that appeared throughout the movie was actually one of the biggest sets for the film, as was the case in a Korean store. The Sal’s Pizzeria set is located in a large area on the corner of Lexington and Stuyvesant Avenues.